A concept: a retro, Kubrick style hotel. A red silk dress glistening at the bar. Gold earrings reflecting in the dim light. Arctic Monkeys’s Tranquility Base Hotel & Casino playing softly in the background.
If you haven’t figured it out by now, I think this album is pretty dreamy. Released on May 11, the Arctic Monkeys ended their five year hiatus with Tranquility Base Hotel & Casino. Compared to their other records, this one takes a whole new face. The groovy guitar riffs transport me to space. Turner’s melodic, humming voice accompanies me as I gaze at the stars around me.
This album has been received with very mixed reviews, and I’m just going to add my thoughts into the mix with my very own Tranquility Base Hotel & Casino review.
I’ll admit I was hesitant upon first listen. This album hardly sounds like their previous grungy rock albums, such as AM or Favourite Worst Nightmare. But after listening to it three times through (my rule of thumb), I fell in love with it.
Pitchfork says the album is “a song suite documenting a futuristic moon colony and the exodus that spawned it, told by an assortment of unreliable narrators who can sometimes barely string a sentence together.” Rolling Stone describes the new album as “a lounge-pop concept record set in a casino piano bar on the moon.” What does all that even mean? It seems just as existential as it sounds. While some critics view those descriptions as a pretentious or lazy excuse for a crappy album, I think it’s more than that. Turner knew what he was doing with this album. It has a pretty political undertone and lyrics that can’t be ignored.
Star Treatment kicks off the album with a commentary on celebrity culture and its influence in the world. The album quickly flows through a series of songs highlighting dystopian future, monster trucks, taquerias, and even Donald Trump. Four Stars Out of Five calls the taqueria the Information-Action Ratio, pointing out the juxtaposition of having the world at our fingertips and not knowing what to do with it all.
The album itself is a giant paradox. It’s full of subtle and witty politicized lyrics soaked in a nostalgia that reeks of the 1970s. It’s grungy and gross while also extremely sleek and modern.
Favorite Song: Batphone
Least Favorite Song: Tranquility Base Hotel & Casino (ironically enough)
Overall, I give this album a 8/10. This album is a shimmering work of art, and it really can’t be compared with their other albums. While stylistically it’s certainly not my favorite album of theirs, I really appreciate what they did with it. Despite all the negativity, I think it’s an interesting commentary on modern society (and what better way to do it than with some space lounge music?).
P.S. 8/10 is actually 4/5… See what I did there?